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	<title>electronics Archives - itinerant interludes</title>
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		<title>#1851</title>
		<link>https://itinerantinterludes.com/itinerant_interlude_1851_/</link>
		
		<dc:creator><![CDATA[kc]]></dc:creator>
		<pubDate>Fri, 02 Mar 2018 16:21:06 +0000</pubDate>
				<category><![CDATA[Archive]]></category>
		<category><![CDATA[electronics]]></category>
		<category><![CDATA[field recordings]]></category>
		<category><![CDATA[Galerie Nord]]></category>
		<category><![CDATA[Luca Forcucci]]></category>
		<guid isPermaLink="false">http://itinerantinterludes.com/itin/?p=313</guid>

					<description><![CDATA[<p>8 December 2017. The number of ITINERANT INTERLUDE #1851 references a more elliptical inspiration for the title of the exhibition dark, liquid. 1851 is, namely, the year Herman Melville’s Moby Dick was first published. And as Ishmael himself speaks of the great whale: “I know him not, and never will”, so too, dark, liquid. invites [&#8230;]</p>
<p>The post <a href="https://itinerantinterludes.com/itinerant_interlude_1851_/">#1851</a> appeared first on <a href="https://itinerantinterludes.com">itinerant interludes</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>8 December 2017.</em> The number of ITINERANT INTERLUDE #1851 references a more elliptical inspiration for the title of the exhibition <strong>dark, liquid.</strong> 1851 is, namely, the year Herman Melville’s Moby Dick was first published. And as Ishmael himself speaks of the great whale: “I know him not, and never will”, so too, dark, liquid. invites us to ponder the mysterious depths of the ocean. With ITINERANT INTERLUDE #1851, electronic musician, composer, and performer Luca Forcucci invited us to an aural investigation of the deep: in the form of soundscapes created from the waters of the Southern and Northern Hemispheres. In Forcucci’s Two Poles, which receives its premiere this evening, audio recordings from the waters around the Cape of Good Hope near the South Pole and the Norwegian Lofoten Islands near the North Pole are manipulated, layered and recombined to resonate with each other in dialogue. These sounds met together for the first time in Galerie Nord, thus creating a unique territory where mental imagery may emanate from deep and careful listening.</p>
<p>Thus, for ITINERANT INTERLUDE #1851, the works in the exhibition dark, liquid. find a sonic counterpoint in Two Poles, which is the latest expression of the sound artist’s ongoing research at the nexus of art and science, music and technology.</p>
<p><strong>dark, liquid.</strong> Works by Angela Glajcar, Rona Lee, Reiner Maria Matysik, Jenny Michel, Gergor Peschko and Roger Wardin.</p>
<p>The post <a href="https://itinerantinterludes.com/itinerant_interlude_1851_/">#1851</a> appeared first on <a href="https://itinerantinterludes.com">itinerant interludes</a>.</p>
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			</item>
		<item>
		<title>#34</title>
		<link>https://itinerantinterludes.com/itinerant_interlude_34/</link>
		
		<dc:creator><![CDATA[kc]]></dc:creator>
		<pubDate>Wed, 21 Feb 2018 12:59:50 +0000</pubDate>
				<category><![CDATA[Archive]]></category>
		<category><![CDATA[electronics]]></category>
		<category><![CDATA[Gitte Bohr]]></category>
		<category><![CDATA[KW Institute for Contemporary Art]]></category>
		<category><![CDATA[Liebig12]]></category>
		<category><![CDATA[Tomomi Adachi]]></category>
		<category><![CDATA[violin]]></category>
		<category><![CDATA[voice]]></category>
		<guid isPermaLink="false">http://itinerantinterludes.com/itin/?p=143</guid>

					<description><![CDATA[<p>EPHEMERAL ENCOUNTERS CAPTIVATING COINCIDENCES COORDINATED COUNTERPOINTS INTRIGUING INTERVENTIONS HOW TO EXIT THE LOOP SURFACE AND SUPERFICIALITY GITTE BOHR = GUY DEBORD SOUND POETRY MEETS LETTRISM AND WHISPERS AND L’ARTISTA SANTO AND MPU 8 October 2015. For ITINERANT INTERLUDE #34, Tomomi Adachi contributed a series of improvisational counterpoints and vocal acrobatics to the percolating cauldron of [&#8230;]</p>
<p>The post <a href="https://itinerantinterludes.com/itinerant_interlude_34/">#34</a> appeared first on <a href="https://itinerantinterludes.com">itinerant interludes</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>EPHEMERAL ENCOUNTERS CAPTIVATING COINCIDENCES COORDINATED COUNTERPOINTS INTRIGUING INTERVENTIONS HOW TO EXIT THE LOOP SURFACE AND SUPERFICIALITY GITTE BOHR = GUY DEBORD SOUND POETRY MEETS LETTRISM AND WHISPERS AND L’ARTISTA SANTO AND MPU</p>
<p><em>8 October 2015.</em> For ITINERANT INTERLUDE #34, Tomomi Adachi contributed a series of improvisational counterpoints and vocal acrobatics to the percolating cauldron of furiously intersecting ideas and activities of ONE NIGHT STAND #5 presented by Gitte Bohr and Liebig12.</p>
<p>Curated by Gitte Bohr and Liebig12. Work by Many People (Kiron Guidi, Frank Holbein, Lars Werner), Fried Rosenstock, Gisela Dischner &amp; Robert Lehniger, Katrin Caspar &amp; Eeva Liisa Puhakka, XY, Paul de Koens, Jana Linke &amp; Allegra Solitude, John Duncan, Zeitungspoet, Diego Castro, Fred Dewey, Eva May, Hylynyiv Lyngykrz (Helena Lingor), Errands Group, Ingo Gerken, Erich Pick, Kenneth A. Balfelt, Ivana Sidzimovska, Megan Steinman.</p>
<p>The post <a href="https://itinerantinterludes.com/itinerant_interlude_34/">#34</a> appeared first on <a href="https://itinerantinterludes.com">itinerant interludes</a>.</p>
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		<item>
		<title>#25</title>
		<link>https://itinerantinterludes.com/itinerant_interlude_25/</link>
		
		<dc:creator><![CDATA[kc]]></dc:creator>
		<pubDate>Wed, 21 Feb 2018 11:36:06 +0000</pubDate>
				<category><![CDATA[Archive]]></category>
		<category><![CDATA[double bass]]></category>
		<category><![CDATA[electronics]]></category>
		<category><![CDATA[Joel Grip]]></category>
		<category><![CDATA[Marina Kern]]></category>
		<category><![CDATA[Pär Thörn]]></category>
		<guid isPermaLink="false">http://itinerantinterludes.com/itin/?p=123</guid>

					<description><![CDATA[<p>30 December 2015. On the other side of the winter solstice, ITINERANT INTERLUDE #25 presented Swedish improvisers Pär Thörn and Joel Grip engaging in a series of interactions with Marina Kern’s lamp objects in a “Sieg uber die Finsternis”. Light is coming&#8230;</p>
<p>The post <a href="https://itinerantinterludes.com/itinerant_interlude_25/">#25</a> appeared first on <a href="https://itinerantinterludes.com">itinerant interludes</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em><img fetchpriority="high" decoding="async" class="alignnone size-medium wp-image-124" src="http://itinerantinterludes.com/itin/wp-content/uploads/2018/02/IMG_4862-600x450.jpg" alt="" width="600" height="450" srcset="https://itinerantinterludes.com/itin/wp-content/uploads/2018/02/IMG_4862-600x450.jpg 600w, https://itinerantinterludes.com/itin/wp-content/uploads/2018/02/IMG_4862-768x576.jpg 768w, https://itinerantinterludes.com/itin/wp-content/uploads/2018/02/IMG_4862-1024x768.jpg 1024w, https://itinerantinterludes.com/itin/wp-content/uploads/2018/02/IMG_4862.jpg 1400w" sizes="(max-width: 600px) 100vw, 600px" /></em></p>
<p><em>30 December 2015.</em> On the other side of the winter solstice, ITINERANT INTERLUDE #25 presented Swedish improvisers Pär Thörn and Joel Grip engaging in a series of interactions with Marina Kern’s lamp objects in a “Sieg uber die Finsternis”.<br />
Light is coming&#8230;</p>
<p>The post <a href="https://itinerantinterludes.com/itinerant_interlude_25/">#25</a> appeared first on <a href="https://itinerantinterludes.com">itinerant interludes</a>.</p>
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